» Listings for 2020

1. How best to look after your voice?

   Posted on 12:00pm Monday 26th Oct 2020

   I talk. A lot. Honestly. I speak and chat and use my voice all the time. Which is a good thing as I totally love chatting away. However chatting and using vocal muscles is tiring. There are days when I have several sessions in one day and say the same words or phrases over and over again. That means it can be over 5 hours of non stop talking. Wow! That is a lot, like when I do videogame characters, a lot of vocal exertion for those emotes mean at the end I am needing a pick me up. 

   

   How to stay talking fit? 

   Your mouth and vocal folds as well as neck and back tire from verbalising all day long. When you spend your days in a warm booth it means the air is dryer as well so you can get more tired. To keep myself in tip top shape for a week of talking, I work through a warm up routine, lip trills, straw singing and working through mouth shapes and sounds on a regular basis. But what else can be done? Here you have a few other ideas.

    My top voice tips 

   1. Steaming - grab that steamer and think hot sauna time. The steam is so good for your vocal folds. They help relax, open them and lubricate them. Essentially the steam is like a warm hug. Gentle and comforting. I like using a steamer but watch you don’t inhale hot air, that can damage important membranes and hairs. Much like bath water, always check the steam temperature. 
   2. Healthy eating - yes, this one is quite important. A varied diet with plenty of fruit and veggies is essential. Of course treats are important (not giving up dark chocolate for anything) but what I am talking about is a good diet with plenty of the green stuff. I have a weak spot for lemons so happily eat these a lot.
   3. Aromatherapy Oils - This is a new one to my list and it has made a huge difference to my life. I had a fabulous consultation with Aira Therapy and Emily who is a IFTD certified practitioner asked me lots of questions. I wanted oils that would be effective for my vocal cords as for my skin and general holistic overall health. She blended up some delicious smelling oils and now I cannot live without it. Such a great find, the oils brings a soothing quality to the air so I can breathe more easily. 
   4. Take a break! - build in time for a tea break. Or a stretch or comfort break. Anything so you can re focus and ground yourself before another job. Voicing long e-learning scripts mean that a singular energy is needed so breaks are the best way to keep that energy up. 
   5. Keep fit - by this I don’t mean train for the next marathon - well if that is your thing then go for it. No, I mean, keep fit by moving all day long. Standing or sitting in the booth all day means muscles lock in position and a locked body means the voice gets locked as well. Keep moving, keep fit, keep being amazing. 
   6. Massage - ohhhh who doesn’t love a massage? Every muscle will benefit from some attention. We can hold onto tension and this can cause us to become less supple all over. This again will have an impact on your voice and vocal cords. There are also massage exercises for the jaw, mouth and tongue which are essential as a voiceover artist.  

   And finally never forget to drink plenty of tepid water. At least two litres in a day but more if you are chatting away endlessly like me. Always have a glass of the H20 stuff on hand as the liquid will soothe and ensure you are replenishing the moisutre that you expel as you speak. If you would like to know more then please do get in touch with me. 

   Stay voicing, stay well.

   xx

2. How to direct a VoiceOver session - three top tips as an experienced voice director

   Posted on 10:00am Monday 10th Aug 2020

   As I slowly melt in the summer sunshine I’ve realised it has now been over five years since I started directing Voice Over artists in sessions. I long ago found that being a Voice Over actor was part acting and part interpreter when the client gives notes to a read. 

   After a while I decided to step in during VoiceOver sessions especially with voices or clients that had yet to have a lot of experience with either the type of read, the copy and context or the end want of the client. I have gone on to direct most type of VoiceOver gigs including audio dramas, corporate videos, e-learning, explainers even phone messages and my favourite video games and narrative dramas. 

   

    Each genre has its own language and needs as well as scene setting. However the most important consideration is the actor and how the actor will interpret the character. Even on the most simple of jobs, like the art of simple cake baking, they can also be the trickiest of jobs. I always make the actor my top consideration and ensure that they have been given the script in good time (if this is possible), they have read the script and if they have any questions such as pronunciations, number styles but also what their thoughts are and what they like in terms of direction. Some actors are all about the musicality of the piece and want to understand the emotional flow of the copy almost like sight reading a musical score. Others want to understand the feelings and emotional intentions behind the copy and more importantly the context of the script so they can ground themselves in that character space. Then again there are actors that revel in the more obscure of directions such as “Be more orange,” “more tall but less graceful.” Actors are as varied as scripts and so adapting to them and the copy is a true art as a director. 

    

   For game audio, again the genre is extremely varied from single emotes and one liners or barks to whole narrative set pieces or trailer copy or even fundraising videos. The first question I make sure is asked is where are we, when are we and what are we. This makes a huge difference on the performance and places the actor where they need to be go get the vocal performance both authentic and true. I’ve worked on a number of games helping the actor reach and find the character and bring a different level of quality to the role. 

    

   My top tips for directing are:

    

   1. Ask questions to fully understand the context, location, environment and character.
   2. Ask the actor how they want direction and what works for them; picture making, musicality, physicality,
   3. Listen, listen and listen. Listen to different actors, genres, people, characters and feed this back into your director toolkit so you can richly advise both client and actor on how to give a great performance.

    

   Keep voicing and keep cool - pro tip, wrap up some cool frozen veg in a hand bowl and place on the back of the neck and wrists to keep cool especially on longer sessions. 

3. How to use movement as a Voice Actor

   Posted on 12:00pm Tuesday 21st Jul 2020

   This is a little of a trick question. Not much would be the flippant and rather quick answer. However, in truth moving as a voice actor is as important if not more so than an actor specialising in film, TV or theatre. 

    

   Performance art of a sort, voice acting at times can be seen as a solitary still pursuit. In fact some roles may call for an inward and outer stillness. It may be the character you portray and the story you are telling may ask for you to be introspective and make yourself small and quiet. This would be especially true in an audio drama or a video game where in these genres there is time and space for the character to develop and breath like a fine wine. 

    

   And yet, there is movement. The human body is made for movement. We know this simply from sitting or standing too long in one position and how our muscles ache from the exertion of holding that pose. Tension is constantly necessary or we would sag like those string puppet dolls. Holding onto too much tension can cause holds and stops in our body and which in turn can have an impact on our own vocal capacity. Everything in our body is connected so if you have a tight hip flexor it may impede your vocal tract to be as open and loose as it could be. 

    

   But why is it so important to move? Simply put because we are human and the human condition is to move and this includes when in a vocal booth. Preventing stickiness in our joints and muscles is crucial to ensure good bodily health which includes your vocal and oral health. Not only it is key to keep your mouth exercises going to ensure your muscles are in tip top condition to perform but also your body and especially the upper thoracic region so that your shoulders and back and neck muscles remain loose and free and easy to use. 

    

   In the voiceover booth, I tend to move my head, neck and arms in movements that match the tempo of the copy. At times it may mean I am weighing myself down to ground myself for a voice or character. Then at other times I may flow with the melody of the text to create a naturalness and upbeat intention for the piece. It is important to note that all movement should be maintained silently so as not to be picked up by the mic. Foot tapping can be very tempting especially if you get a music bed to voice along to but exchange the tap with a flap of the hand or a shoulder shrug. 

    

   Some copy even speaks to having that shrug inbuilt into it and it couldn’t possibly be read without including the shrug. When text ends in questions or a throwaway comment often the shrug is implied and if it is then add it in. So yes, it may look like I am flicking at a fly in my booth but in fact I am moving in time with the content.

4. How to market yourself as Voiceover Artist during isolation

   Posted on 12:00pm Tuesday 28th Apr 2020

   I am a self confessed marketing nerd. I have been slightly OCD obsessed since a child, picking apart what makes people pick up a trend or product and buy it. After all, why did I really want Ariel the toy from McDonalds when the film came out back in 1989? So obsessed was I that I wrote commercials and worked for several huge companies marketing their products. The trick is always finding a way to connect you with your audience in a unique way.  

   So how can a voiceover artist market themselves as an independent creative? Especially during these isolating times. A few things need to be considered first: 

   1. What sort of voice are you? Know your range, your abilities, your strengths and weaknesses.
   2. What voice genre do you work in? Are you a VO specialist working in audiobooks or are you a generalist that works across the different disciplines in VO?
   3. Who are you? Do you have other hobbies or disciplines that make you different from others?

   Take time and be truthful as you consider this list, working through each point. It becomes relevant as you build your marketing profile. After working through your list, what have you got? What is your USP? Your unique selling point? Are you a big voice and know something or two about cars/cooking etc? Or can you sing professionally and like longs walks with dogs? Perhaps you are an impressionist that enjoys running? 

   Whoever you are it is crucial to knowing before you market yourself. By definition we are all different so you will by your own life experiences, personality and ambitions attract and be attracted by different groups and so different clients. Understanding this is crucial to knowing how to market yourself and cast yourself. 

    

   Ways to market yourself include getting on social media - there are many channels from Instagram to twitter and you have to decide which you prefer and what you will use it for and how. They ae all different with different rules and flow in a variety of ways. If you already are on these channels, have a look at your content and what you want to be saying. Do you want to be an expert? Show your personality? Some of both? How much time will you dedicate to these channels? Can you find the clients that you are looking for there? Or do you just want to play around on them? Be honest with your answers, avoid copying others strategies because they may not necessarily work for you. 

    

   Perhaps you want to do a mail shot to clients. But what to send? Have a look at marketing material online and see what might appeal to you. What reflects your brand and personality?

    

   Or maybe you can do this online with newsletters and reaching out to clients. Note that during this lock down the simply truth is that there will be limited work in the pipeline overall and it is tempting to spam agents, clients, friends, colleagues to ask for work. However while it is good to keep in touch, do so on connected level and appreciate that many are also in the same boat as you and trying to figure out what to do.  

   If you like to create videos, make some that are true to you and what you do. There have been some great examples of sports commentators narrating competitions between their pets while other actors have been working from home on improv or others that have decided to concentrate on themselves and self care. All are valid and how ever you choose to work is what feels right to you. It creates an authentic structure to your strategy. So take a moment and think about marketing the real you.

   

5. How to perform as a voiceover artist?

   Posted on 12:00pm Tuesday 14th Apr 2020

   Importance of performance : Performance is crucial to many an audio production. It can bring copy to life than simply reading it in your head. And performances in videogames are amongst some of the most nuanced. Copy is more than a collection of words scattered on a page or excel sheet. As a performer the aim is to take the copy and elevate it to deliver the lines that evoke a reaction of some sort. Questions I ask myself about copy include:

   1. What is the aim? 
   2. What is the emotional intention?
   3. What is the call to action?
   4. What is the truth?
   5. What is believable?

   

   These questions form a start of an interrogation of the copy that is essential to deliver a connected performance. What is connected? I see this as the voice actor connecting with the copy and then being able to communicate the intentions to the audience so that they connect with the character or the copy and the underlying messages that underpin it.  

   I was lucky enough to see this played out at the BAFTA Games awards in 2020. I was asked to be  a juror on the new category of Performer in a Supporting Role. This was a great opportunity to research each performance of the submitted video games and understand the nuance behind each piece. The nominated performances were a very good example of the voiceover work over this year and I thoroughly enjoyed playing all of the games. The games were great in themselves but the artists were able to convey much with their voice. And there lies the talent, performances that were rich in undercurrents, layered and full of quirks and thoughts. 

   The same questions I ask myself I asked of the each performance. To take each moment and connect with what the actor is trying to convey during each scene. Two nominated performances really stood out for me simply because I connected with them and believed them to be truthful in a myriad of ways. Ayisha Issa who played Fliss in Man of Medan, held my attention throughout her time in the game. The nuances of staying in character during decisions choices as well as game play were excellent and I enjoyed her performance. I also enjoyed watching Lea Seydoux in Death Stranding as Fragile. The character warmed up throughout the game and had many layers that I became excited to watch out for. 

    The winning actor was Martii Suosalo who while his character Ahti in Control has a limited amount of game time, gave a thoroughly detailed confident and thought provoking performance. As the caretaker the role and copy could have simply been a few lines read out loud. But Martii elevated this performance to something both sinister and sublime. What I found particularly interesting that all these actors were bilingual and to chomp and change between languages is one of the hardest skills to have. The cadence, word sounds an mouth shapes that have to be achieved are extremely difficult. Martti made it look very easy. A well deserved win. All of the actors I mentioned really gave performances that are worth of study and reflection for any actor. Have a god and play the games, see what I mean. 

    

6. Working from Home (WFH) as a Voiceover Artist

   Posted on 12:00pm Wednesday 18th Mar 2020

   Working from Home has been my way of life for over five years and even before that I was already shifting to work more remotely. As a voice actor with my own studio I have managed to keep myself efficiently busy with a good work/life balance routine. 

   Working from home is a mindset and when I first starting to work remotely my biggest worry was how I would deal without interacting physically with people. As a person who identifies with physicality as a main language this was a real concern. However I overcame the challenge by identifying how I could work with that language barrier and thrive. 

   If you are starting to work from home then here are a few tips that have helped me. 

   1. Primary Concerns - ask yourself what those concerns are and spell them out for you
   2. Work mode - do you prefer to get up early and work until lunch or lunch until dinner or late into the night. Figuring out what your work mode is will help.
   3. Self care time - what type of self care do you prefer? A cup of tea, a crossword break, a walk around the block, chatting to a friend. Have a few things in mind for variety.
   4. Structure - now you have a rough list of what work and self needs you have, plot them so you can go through them and figure out a working and life day that works for you.
   5. Change - remember it doesn’t have to work from day 1 so change as you need to. Maybe your work ends up being with clients in a different time zone so you can structure your day differently than when you started out. Be prepared to be flexible at first and try different things out.

    

   Avoid thinking that if you work all the hours in one day you will be more productive. It rarely if ever works like that. A simple coffee break or magazine break allows you to breathe and gather your thoughts. The brain quite likes to mull over challenges but a distraction usually enables it to reach an answer. 

    

   In my week, I map out work tasks that I want to complete as well as life tasks that need to be included. I also slot in self care activities and I take care to do these because every time I think about skipping them in fact I feel worse and less creative than when I end up doing them. My dance family are really important to me and as a voice actor where you internalise all the physicality of the roles, it means I can release all that vitalness safely and into something also very creative and rewarding on many levels. I enjoy chatting with friends over a coffee even if its online. A read of a chapter of a book or a set time playing a video game also allows for some down time. Always get up, prepare for “going to work” and that mindset helps structure the day. 

   Whatever system you find that works for you when you work from home, go for it. Just remember, when the conference calls happen, remember to wear clothes!