» Listings for 2019

1. What else does a Voiceover need?

   Posted on 12:00pm Monday 22nd Jul 2019

   I love this question. Lots of people ask me this question and I ask them “What do you mean?” Other than answering a question with a question (which amuses me), I do so to ensure I have got the right end of the stick. In the majority of cases what the question setter is actually asking is what more skills or techniques should they learn, develop, try their hand at. And as a rather chatty voice actor (well you know that already about me) I usually launch into a long and varied often tangential discussion about how as an actor it is your life, duty and responsibility to in fact do everything. However this is hardly what the person expects to hear but rather I have realised that I can simply break this right down to the nuts and bolts of what turns a voice into a VOICE. I stand by the whole “everything” concept though but perhaps it is too vague so a longer answer follows. Keep up!

    

   The simpler answer is that an actor is a watcher and a channeller. This is one of my favourite games to play. I watch people and I always have done. I love watching how they dress, walk and talk and then playing a mini mastermind challenge with myself about who they are. What do they like to watch? Do they drink tea or coffee? Black/white/lemon/sugar or a smoothie in the morning? Do they have a pet? Are they a dog/cat/nothing person? Where do they buy their groceries from? And from those simple questions I enjoy delving into harder questions such as do they enjoy their job? If they could be anything what would that be? How has their heart been broken? What has been their greatest joy? I imagine how their voice would sound like from all of my deductions. Call me Shirley Holmes as it really is observation at the highest order. Then I file this person away into my mental character palace (I have palaces in various locations much like the filing system in Jurassic Park only mentally and with much fluffier dinosaurs). There they sit, awaiting their turn like much loved and cared for old toys. They come out as and when I decide and then I channel. I put them on as you would a coat and I become them right down to the way they breathe, blink and bark (metaphorically obviously). They they come alive and take flight, lifting the copy off the sheet or screen when they/me speak and talk for them, with them. The guiding question for this is how - how would this character read this and for whom? 

    

   Another simplest answer is to experience life. “Do what makes you happy” is a great phrase for this. I feel that to deliver the best lines that are authentic to the role and character and the content experiencing many things will develop you as a person. What do you enjoy most? Apart from working on audio projects and speaking on panels as well as voicing, I love dance, music, photography, art, food, travel and pets. Sound a tad like a dating profile list but in essence this is more a life profile list. I adore all forms of dance and have tried my hand at many of them. I get to them watch and explore other characters in areas I would never have considered. I love slinking off to a museum or two such as the Tate Modern and losing myself in colour and finding myself in different worlds. Taking such flights of fancy enable me to reach new places that always help my roles when I record in the booth. Food is such a gift as well and having lived in several countries I always wonder how food can be such a cultural thing and can be such a character influencer. I ask all of these questions as I wonder around this world simply to become better, to learn and grow and be. Being a voice is a wonderful thing and whether its a character in an audio drama or video game or talking to patients for medical videos, each and every experience enriches my performance. What does a voiceover artist become? They become everything! 

2. Want to work as a Voiceover Talent?

   Posted on 12:00pm Tuesday 12th Feb 2019

   A lot of voiceover success is about the audition. This means recording samples or demos for clients. As clients can make a selection from a demo being pitch perfect is important here. For any actor or voice talent the audition and commitment and professionalism towards it is just as important if not more than the actual job. 

   This has been revealed to me more so this past December on two separate occasions. In December 2018 I was chatting with a producer friend and they sent me an audition as a voice had dropped out from the production. As soon as I got the script I read it all the way through, I couldn’t put it down. The story and narrative had gripped me and I saw in my head how the characters had come to life. I loved the character I was asked to play. However it was totally against my acting type. I love a challenge but voicing a character that was very much the opposite of my voice was a stretch. However, within 24 hours I had sent my audition back. I had even ad-libbed a bit and adding some extra shade and light to the character. I told the producer it was against my type but I loved the character but knew that it was their choice. They loved it. So far so good. 

    

   They promised to let me know a week later. The week went by and then they sent me an email. They couldn’t let me know because mine was the only audition that they received. To say I was shocked was an understatement. Many of my voice talent colleagues ask about jobs and auditions and how to get them etc. However despite passing on a few auditions the result seems to be the same. Hardly anyone submits the auditions. You can’t be part of the game if you don't even step up to play. 

    

   So while my slightly confused producer could give me the role, the fun part of the game is that everyone takes part, an open goal is interesting but hardly a challenge. And also do you not want to take part in this after all those conversations and networking? It seems that no, not everyone does. Voice work takes hard work and yes talent is needed but also professionalism and wanting to do the job. If you don't even submit the audition then you can’t even be considered for a juicy acting role. 

    Another story I heard was that a voice was asked to submit an audition to a long form narration. They submitted poor audio quality and asked to submit again. This time another audio issue came to light. The producers were confused as they wanted to work with this voice and had heard their work so were eager to start a project with them. But the audio was unusable so sadly that voice wasn’t taken on. Lesson here is to really pay attention. Please take time to listen to your audio, play it back and see if that works and follows the audio guidelines for each client. 

   In fact, the whole point is to acknowledge and accept that the audition is the job and the job is the sparkly cherry on an amazing cake that is you!

    

3. What do you need to be a great voiceover artist?

   Posted on 12:00pm Tuesday 22nd Jan 2019

   After so many years working in the creative fields there are a few things that always jump out to me, marking out a good voiceover to a great voiceover. Having created copy, voiced a fair few audio projects, directed voices with context and recorded them and engineered their sessions I have seen first hand what makes a great voice talent. With almost two decades of experience, I've heard a thing or two. And all it takes is one word.

   In fact, this simple word, elevates something ok to something sublime. There are many skills to develop as a voiceover. Acting, accounting, marketing are among a looooong list. These and many more will help you develop as a talent, develop you as a person and help with you being you. After all that is what a client wants, you, your voice, your take, your version. 

   

   But there is something else that takes you from ok to great. What is it? What exactly is that magical word? Intention.

   I record many voices and the ones that really and truly stand out to me are those that understand intention and carry through with authenticity. They are channeling the intention of the words, their meaning, the brand/product or service. But what does that actually mean? It means to take a step back, really read the words and understand the subtleties at play behind them. No copy is ever written just to pad space, especially if it is for advertising. Even three simple words will have been thought about and as if captured from the air and pinned to paper, they will have been chosen on purpose. Many words and combinations of them may have been grasped, proposed and mulled over but despite this, the words on the page in front of you are the winning words.

   And as that is the case, what do you do about that? You read and become cognisant about what they mean. Then make clear your intention for those words. Make that intention clear and authentic. Are the words relaxed for a relaxed read? Then the intent you have is to be relaxed. Are the words witty or playful or wry? Then the intention will reflect that. Of course there are times when you can Volte face and do the opposite but that in itself is an intention. Figure out what the intention is or ask if you have people present and commit to that intention. 

   By committing to that intention, you also commit to an authenticity. Being truthful to the words and giving them the power of authenticity means that the audience hears that. The power it creates for the brand or product you are voicing then takes the ordinary to the extra-ordinary. To become a voice is easy, to excel requires effort, passion and intention. Time to talk with intention.